Benny starts to hear those objects, and many others, talking to him, which eventually lands him in a psychiatric ward. Annabelle becomes a hoarder, stacking various objects in their home as a kind of insurance against loss. The story follows Kenji’s wife, Annabelle, and son, Benny, as they both cope, in their own ways, with their terrible tragedy. The novel opens with the death of Kenji, an itinerant jazz musician who is run over by a chicken truck after he falls down in the street late at night and is too intoxicated to pick himself back up. Ozeki joins Eric Newman and Medaya Ocher to talk about her latest work, The Book of Form and Emptiness.
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Her nonfiction work includes the memoir The Face: A Time Code and the documentary film Halving the Bones. Ruth Ozeki is a writer, filmmaker, Zen Buddhist priest, and author of three novels, My Year of Meats, All Over Creation, and A Tale for the Time Being, which was a finalist for the 2013 Booker Prize.
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Over the past six decades, Garner has satirized American consumer culture with a range of drawings and ideas for outlandish yet, given our zeal for novelty, completely plausible products, custom furniture, and things like the world’s most fuel efficient car - which is actually a bicycle set inside the frame of a miniature Honda. In the second half, Kate is joined by artist and inventor Pippa Garner. Using the whole of Dern’s career and her many collaborations with Lynch, Anderson explores Inland Empire as the work not so much of an auteur but of an actor, making poignant observations along the way about disintegration and desperation, victimization and agency, the possibilities of the female gaze, and the dark side of Hollywood. A story of a “woman in trouble,” David Lynch’s Inland Empire (2006) is a bold selection, since, as Anderson points out, to try and make sense of its plot “would be to replicate the tediousness and pointlessness of narrating a dream.” Instead the book concerns itself most with the film’s star, Laura Dern, an electrifyingly expressive performer who has worked in the industry since she was a child. In the first half of the show, Kate Wolf is joined by Melissa Anderson to discuss her first book, Inland Empire, a volume in Fireflies Press’s Decadent Editions series, which revisit seminal films from the 2000s.
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The book brings together disparate influences like the work of Portuguese writer Fernando Pessoa, the TV show Air Disasters, and current events. Pilot Impostor was partly inspired by a trip to Cape Verde and Lisbon, right after Trump’s election in 2016. His short stories have appeared in One Story, Fence, and Bomb, and he was for many years a writer for the Village Voice and Salon.
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James is the author of the award-winning novels Delicious Foods and God Says No. Writer and artist James Hannaham joins Kate Wolf and Medaya Ocher to discuss his most recent book, Pilot Impostor, a mix of prose, poetry, and visual collage.